sorting pages, smelling September again…

Where there once was an abstract landscape                                                                           crossed by quietude, nostalgia, perhaps                                                                                        insufficiently sophisticated but deeply personal ideas                                                           poetic loneliness in doorways, chips in curbstones leaking words                                        visions of the Virgin over floodlit parking lots                                                                            now there are photos of favorite writers- Didion, Colette, Baldwin, Lorca-                          taped up on the wall.                                                                                                                  Insecurities and petty bloodless blood-feuds of a smattering of Others float,                glowing particles, in a neutral pool of days I must traverse.

 

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“I have lived in equatorial America since 1935 and only twice had fever. I am an anthropologist who lost faith in her own method, who stopped believing that observable activity defined Anthropos. I studied under Kroeber at California and worked with Lévi-Strauss at São Paulo, classified several societies, catalogued their rites and attitudes on occasions of birth, copulation, initiation , and death, did extensive and well-regarded studies on the rearing of female children in the Matto Grasso and along certain tributaries of the Rio Xingu, and still I did not know why any one of these female children did or did not do anything at all. Let me go further. I did not know why I did or did not do anything at all.”

-Joan Didion, from the book of common prayer

 

“What I am trying to conceptualize with the help of the philosopher is that which I have already intuited” -Charles Simic

 

“The poet of the Kosovo cycle rebels against the very idea of historical triumph. Defeat, he appears to be saying, is wiser than victory. the great anti-heroes of these poems experience a moment of tragic consciousness. they see the alternatives with all their moral consequences. They are free to make a fateful choice. They make it with full understanding of its consequences. For the folk poet of these poems, true nobility and heroism comes from the consciousness of the Difficult Choice.”

-Simic

 

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Finger-worn and foot-buffed steel and linoleum. Deep knowledge of the insides of occupational objects….

 

I see the Paysage of my near-decade of choices                                                                      it seems a system                                     of baked ochre and orange canyons, entered almost by accident.                                                                                               A place of occasional tedium, doubt, self-doubt, where thirst                                                     has sometimes summoned a feeble, ice-cold spring.                                                                   Twice while wandering up the side-cuts I stumbled on a hanging garden so extraordinary, Edenic, revelatory, that I cried out.                                                                         I’ve learned to smell and listen, to observe and follow wiser, smaller creatures.                   I received a proffered word: Survival.                                                                I picked out a trail when there wasn’t one, and it took me years- seven and a half, to be exact- but I made it to the deepest point, a descent of many fathoms.                                                    I drank my fill from a wide and swiftly running river and then                                                              I rode it                                                                                                                                                   out.

 

 

 

*Drawing by G.F Marlier (the old College Ave. Safeway, right before they tore it down)

 

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